2009年10月13日 星期二

波特多洋芋片之黏土動畫

波特多洋芋片之黏土動畫
Potter's clay animation over potato chips

Autho作者: kame

I have a small shed at the production company took 10 days and shoot the assistant director, crazy running around, beginning to find I was filming Zhezhi films, I say no on the proposed way to use clay, with my way is to use latex dual Production
Encountered during the production a lot of questions, such as the skeleton. Positioning clay are the most important
我在製作公司的小棚內拍了10天,拍到導演抓狂助手繞跑,當初找我拍這支片子時,我就建議說不要用粘土的方式,用我的方式,就是採用乳膠偶製作
製作期間就遇到了很多問題,如骨架.定位還有最主要的黏土


Although there are even clay to do, but the hand-Gen Jiao, I stick with my approach (using foam latex) body is clay, because the hands and feet should have been doing the action. Therefore, the high probability of deformation ....
雖然說是黏土做的偶,不過手跟腳,我還是堅持採用我的作法(用發泡乳膠)身體是粘土,因為手腳是要一直做動作的,所以變形機率高....

I did a lot of clay is only prepared to use dual-site
I just want to press the clay into the mold a new type of clay has not changed Oujiu completed
我做了很多隻黏土偶.現場預備用, 我只要把黏土壓進模具...一個全新沒變型的黏土偶就完成了




This is the action director, he was responsible for adjusting movement
The director is also regarded as Taiwan's small-famous animation director Mr. Liang Chongyou這是動作導演, 他負責調整動作..這個導演也算是台灣小有名氣的動畫導演...梁崇佑先生...






Sometimes, to mobilize for, we will draw on the screen above dispatch line, so adjust the movement of people to have a frame of reference
有時候調動作時,我們會在螢幕上面畫出動線,讓調整動作的人有一個參考依據.....
* latex dual乳膠偶
*skeleton骨架
* Positioning定位
* using foam latex用發泡乳膠
* action director動作導演
*dispatch line動線
http://tw.myblog.yahoo.com/kamead628/article?mid=495&prev=635&next=459&l=f&fid=8#






























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